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	<title>the black snapper &#187; architecture</title>
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	<link>http://www.theblacksnapper.net</link>
	<description>international online photography magazine edited by diederik meijer</description>
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		<title>The Reality We Are Not Yet Determined To Accept</title>
		<link>http://www.theblacksnapper.net/2010/01/26/the-reality-we-are-not-yet-determined-to-accept/</link>
		<comments>http://www.theblacksnapper.net/2010/01/26/the-reality-we-are-not-yet-determined-to-accept/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 10:01:53 +0000</pubDate>
		<dc:creator>Marcelo Brodsky</dc:creator>
				<category><![CDATA[Homepage]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[night photography]]></category>
		<category><![CDATA[South America]]></category>

		<guid isPermaLink="false">http://www.theblacksnapper.net/?p=3546</guid>
		<description><![CDATA[[The architect] Salomone's work is a monumental and wonderfully creative expression of a style in which Art Deco and Rationalism merge. In my view, and analyzing it from the perspective given by the current situation, his task as official architect shows the failure of a country's project. Although Fresco's management was quite successful, behind his ambitious urban program, the failure of the rich agricultural and farming Argentina utopia became apparent once again. And this failure broadens the gap between that fiction we still believe in, and the reality we are not yet determined to accept.]]></description>
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		<title>Day 170 &#8211; Cracks In Plaster Like Wrinkles In A Face</title>
		<link>http://www.theblacksnapper.net/2010/01/24/day-170-cracks-in-plaster-like-wrinkles-in-a-face/</link>
		<comments>http://www.theblacksnapper.net/2010/01/24/day-170-cracks-in-plaster-like-wrinkles-in-a-face/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 10:01:08 +0000</pubDate>
		<dc:creator>Marcelo Brodsky</dc:creator>
				<category><![CDATA[Homepage]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Argengtina]]></category>
		<category><![CDATA[cityscapes]]></category>
		<category><![CDATA[documentary photography]]></category>
		<category><![CDATA[South America]]></category>

		<guid isPermaLink="false">http://www.theblacksnapper.net/?p=3531</guid>
		<description><![CDATA[After the absurdity and the violence, what is left behind? How many of the different aberrations in Argentina’s recent political history can be interpreted in the cracks of the architecture surviving the protagonists? With these concerns as a premise, and rooted in my in my interest for the representation of absence, space and histories, I decided to work with the appearance of certain buildings and monuments.]]></description>
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		<title>A Metaphor Of Idleness, Ambiguity And Disruption</title>
		<link>http://www.theblacksnapper.net/2009/12/13/a-metaphor-of-idleness-ambiguity-and-disruption/</link>
		<comments>http://www.theblacksnapper.net/2009/12/13/a-metaphor-of-idleness-ambiguity-and-disruption/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 10:01:07 +0000</pubDate>
		<dc:creator>Juan Antonio Molina Cuesta</dc:creator>
				<category><![CDATA[Homepage]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[Latin America]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[night photography]]></category>
		<category><![CDATA[South America]]></category>

		<guid isPermaLink="false">http://www.theblacksnapper.net/?p=2825</guid>
		<description><![CDATA[The work presented here is a series of photographs of abandoned houses in Anahuac, on the north of Mexico. I have lit up the houses at night, as if they were monuments, marking its sculpture characteristics making a theatrical view of the human drama lived there. I analyze through photography their aesthetic categories and their qualities as documents and ruins. In this work I was interested in portraying a disappearing way of life through these images, and how that impacted the use of land. One of the houses was of the sister of my grandfather. The people had to flew to other areas after a drought of several years, that made impossible to keep working the fields]]></description>
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		<title>Day 76 &#8211; Peruvian Week</title>
		<link>http://www.theblacksnapper.net/2009/10/13/day-76-peruvian-week/</link>
		<comments>http://www.theblacksnapper.net/2009/10/13/day-76-peruvian-week/#comments</comments>
		<pubDate>Mon, 12 Oct 2009 22:01:23 +0000</pubDate>
		<dc:creator>Mari Carmen Arata_Roberto Huarcaya</dc:creator>
				<category><![CDATA[Homepage]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[cityscapes]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[Peru]]></category>
		<category><![CDATA[South America]]></category>
		<category><![CDATA[street photography]]></category>

		<guid isPermaLink="false">http://www.theblacksnapper.net/?p=759</guid>
		<description><![CDATA[ ]]></description>
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		<title>Day 74 &#8211; Peruvian Week</title>
		<link>http://www.theblacksnapper.net/2009/10/11/day-74-peruvian-week/</link>
		<comments>http://www.theblacksnapper.net/2009/10/11/day-74-peruvian-week/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 18:46:04 +0000</pubDate>
		<dc:creator>Mari Carmen Arata_Roberto Huarcaya</dc:creator>
				<category><![CDATA[Homepage]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[cityscapes]]></category>
		<category><![CDATA[conceptual photography]]></category>
		<category><![CDATA[Peru]]></category>
		<category><![CDATA[South America]]></category>
		<category><![CDATA[street photography]]></category>

		<guid isPermaLink="false">http://www.theblacksnapper.net/?p=755</guid>
		<description><![CDATA[ ]]></description>
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